158. Fifi Zhang, piano
Sunday, March 30th, 2025 @2pm | Matter and Memory
Support the Salon Concerts series!
Donate Now! (tax deductible!)
Concert catalogue Subscribe to our mailing list
~~~~~
This concert is brought to you by:
Mumeneer
Audio and Video engineering for Events, Recording, and Livestreaming.
at
Klavierhaus
Experts in restoration and sales of New York, Hamburg Steinways and other fine European instruments.
our fiscal sponsor [501(c)(3)]:
Composers Collaborative Inc.
Helping creative and performing artists initiate vital collaborations, produce innovative performances, and disseminate and preserve their work.
~~~~~
158.
Salon Concerts at Klavierhaus
Jed Distler, artistic director
presents
Matter and Memory
Fifi Zhang, piano
Sunday, March 30th, 2025 @2pm
Live at Klavierhaus
790 11th Avenue
New York, NY 10019
$20 suggested donation
Donate to Salon Concerts In-person reservation Livestream
~~~~~
Claude Debussy
Preludes, Book II, L. 123
5. Bruyères
Preludes, Book I, L. 117
5. Les collines d'Anacapri
Phyllis Chen
SumiTones
John Zorn
Encomia
~ Intermission ~
Meredith Monk
St. Petersburg Waltz
Helmut Lachenmann
Five Variations on a Theme by Franz Schubert
Wolfgang Amadeus Mozart
Sonata in A minor, K. 310
~~~~~
Fifi Zhang is an American pianist based in New York City. She made her debut with the Washington Metropolitan Philharmonic at age 11, playing the Saint-Saens G minor Concerto, and has since played in venues such as Carnegie Hall, Lincoln Center, Park Avenue Armory, Miller Theatre, Joyce Theatre, and concert halls throughout Canada, Finland, Spain, Korea, and Poland. She has a keen interest in performing both traditional and contemporary classical music and has premiered numerous solo and chamber works by living composers. She has worked closely with composers such as Meredith Monk, Frederic Rzewski, John Harbison, and Gabriela Lena Frank. An alumnus of the Columbia-Juilliard Exchange, Fifi holds a BA in History from Columbia University and an MM in Piano Performance from Juilliard. Her teachers have included Marjorie Lee, Julian Martin, Matti Raekallio, Pavlina Dokovska, and Ursula Oppens. She is currently a doctoral candidate at CUNY Graduate Center where she is working on a critical examination of classical music performance practice through a phenomenological lens. She is also on faculty as a music history instructor at Hunter College.
Comments